The Self-Publishing Roundtable (SPRT) was a podcast and blog
run by indie writers for indie writers.
Every Thursday Night we used to stream an interview or discussion live on YouTube, and this website.
For those who like to read words, we (or a guest) sometimes blogged on Wednesdays.
Don’t want to look at our pretty faces? Then get the audio, available on iTunes.
You can also watch us on our YouTube channel at any time.
Most Recent Podcasts and Blog Posts
SPRT’s Multi-Author Cross Promo Giveaway – Science-Fiction, Fantasy & Horror
Looking for another way to promote your Science-Fiction / Fantasy / Horror ebook?
Want to grow your mailing list?
Want relevant also boughts?
Then join the SPRT Multi-Author Cross Promo Giveaway and reap the benefits of cross promoting with other authors in your genre.
SPRT #153 – Romance Writers of America Conference 2016 with Zoe York
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Audio available for download or watch on youtube ?
Every year the Romance Writers of America hold a big national conference. Romance writers of all flavours flock to the conference to mingle with their peers, participate in workshops, listen to speakers and panels and–apparently–drink margaritas 😛
Zoe York was not a member of the RWA when she attended–she is now though–earlier in the month but she traveled from Canada to the conference to take part–and drink said margaritas. She reported back on her first RWA conference, what she thought of it, what tasty morsels of information she gleaned, the two workshops she ran and more!
SPRT #152 – Tough Guy Urban Fantasy with Domino Finn
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Probably the most well-known male Urban Fantasy hero is Jim Butcher’s Harry Dresden–an unwilling hero in a contemporary urban setting with a lot of supernatural elements. Think John McClane (from Die Hard) but wielding magical powers instead of a conventional weapon.
Sadly, we were not able to interview Jim Butcher (he’s not indie) but we did have the next best thing! Domino Finn, author of the Black Magic Outlaw and Sycamore Moons series talked with us about Urban Fantasy, its tropes and how to write the tough guy protagonist–without making him an asshole.